The strange power of art is sometimes it can show that what people have in common is more urgent than what differentiates… — John Berger Copy Share Image
When I was about seven, one or two people encouraged me, and art became an enormous and important refuge. By adolescence, I… — John Berger Copy Share Image
Boycott is not a principle. When it becomes one, it itself risks becoming exclusive and racist. No boycott, in our sense of… — John Berger Copy Share Image
In the modern world, in which thousands of people are dying every hour as a consequence of politics, no writing anywhere can… — John Berger Copy Share Image
What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind. It is not an art… — John Berger Copy Share Image
Ours is the century of enforced travel of disappearances. The century of people helplessly seeing others, who were close to them, disappear… — John Berger Copy Share Image
I wanted to write about looking at the world, so it's more about helping people, or persuading people, to see what is… — John Berger Copy Share Image
Those who first invented and then named the constellations were storytellers. Tracing an imaginary line between a cluster of stars gave them… — John Berger Copy Share Image
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it.… — John Berger Copy Share Image
Directors like Satyajit Ray, Rossellini, Bresson, Buñuel, Forman, Scorsese, and Spike Lee have used non-professional actors precisely in order that the people… — John Berger Copy Share Image
As Nelson Mandela has pointed out, boycott is not a principle, it is a tactic depending upon circumstances. A tactic which allows… — John Berger Copy Share Image
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. — John Berger Copy Share
The impulse to paint comes neither from observation nor from the soul (which is probably blind) but from an encounter: the encounter between painter… — John Berger Copy Share
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects. Everything became exchangeable because everything… — John Berger Copy Share
Landscapes can be deceptive. Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which… — John Berger Copy Share
We live in a dominant culture of ceaseless Departure and Progress that has so far lasted two or three centuries. — John Berger Copy Share
My heart born naked was swaddled in lullabies. Later alone it wore poems for clothes. Like a shirt I carried on my back the… — John Berger Copy Share
There's the artist's intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn]. Picasso drawings are like that... the… — John Berger Copy Share
Traditional Chinese art looked at the Earth from a Confucian mountain top; Japanese art looked closely around screens; Italian Renaissance art surveyed conquered nature… — John Berger Copy Share
In drawing after drawing, pastel after pastel, painting after painting, the contours of Degas's dancing figures become, at a certain point, darkly insistent, tangled… — John Berger Copy Share
We never look at just one thing; we are always looking at the relation between things and ourselves. — John Berger Copy Share
We can become anything. That is why injustice is impossible here. There may be the accident of birth, there is no accident of death.… — John Berger Copy Share
Capitalism survives by forcing the majority, whom it exploits, to define their own interests as narrowly as possible. This was once achieved by extensive… — John Berger Copy Share
“Today we see the art of the past as nobody saw it before. We actually perceive it in a different way.” — John Berger Copy Share
