““I believe that what has been labeled as the politicization of entertainment —in fact, the politicization of storytelling— cannot be disassociated from the even more pressing issue of its low quality. Contemporary concerned writers are the equivalent of a technophilic movie director saturating his historical movies with all sort of modern technological marvels, arguing that modern audiences want to see things that reflect their own world and that the pre-industrial past was too dark and scary, so people need to see something relatable like modern technology or they may faint.””