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Fear Quote by Richard Preston

“Nine out of ten humans killed? And you're not bothered." A look of mysterious thoughtfulness crossed his face. "A virus can be useful to a species by thinning it out," he said. A scream cut the air. It sounded nonhuman. He took his eyes off the water and looked around. "Hear that pheasant? That's…” quote by Richard Preston
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““Nine out of ten humans killed? And you're not bothered." A look of mysterious thoughtfulness crossed his face. "A virus can be useful to a species by thinning it out," he said. A scream cut the air. It sounded nonhuman. He took his eyes off the water and looked around. "Hear that pheasant? That's what I like about the Bighorn River," he said. "Do you find viruses beautiful?" "Oh, yeah," he said softly. "Isn't it true that if you stare into the eyes of a cobra, the fear has another side to it? The fear is lessened as you begin to see the essence of the beauty. Looking at Ebola under an electron microscope is like looking at a gorgeously wrought ice castle. The thing is so cold. So totally pure." He laid a perfect cast on the water, and eddies took the fly down. (92)””

Richard Preston

About This Quote

The speaker admires the aesthetic and functional aspects of viruses, seeing them as natural forces that shape and refine species through selective pressure.

In simple terms: Viruses as elegant, purifying forces.

Key Takeaway

Beauty in biological destruction.

Themes

Nature's duality Beauty in decay Evolutionary pressure Scientific awe Moral ambiguity

Mood

Contemplative Eerie

Type

Philosophical Descriptive

When to use this quote

  • Philosophical debate on disease
  • Scientific observation of pathogens
  • Narrative describing a wilderness setting

Key Concepts

Virus as a selective agent Perception of fear Microbial aesthetics

Practical Applications

  • Exploring ethical implications of pathogen research
  • Using metaphor to teach evolutionary concepts

Questions to Reflect On

  • Can something destructive be considered beautiful?
  • How does framing disease as art affect our response to it?
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