““ On the proper role of coincidence in fiction —more exactly in storymaking, ... Aristotle declares in effect that since real life now and then includes unlikely coincidences both idle and consequential ... a storymaker may legitimately deploy such a possible-though-improbable happenstance to begin the tale or to give its plot-screws an early turn. Thereafter, however, the Plausible (even when strictly impossible) is ever to be preferred to the Possible-but-Unlikely; and in the resolution of a plot, most particularly, coincidence ought to be eschewed. Fate in fiction, decrees the great A, ought to flow from character and situation, not from chance; let no god on wires drop down at climax-time to rescue the storymaker from whatever dramaturgical corner his want of experience, talent, or judgment has painted him into.””
