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Black and white Quote by Jim Morris

“Elizabeth stood in a model pose, whip thin, with a face beside which the faces of angels are coarse and unappealing, in clothes of rags needing to be hauled off and burned, yet somehow arranged into punk couture. Her black pageboy haircut peeked from under a cloche that appeared to have survived…” quote by Jim Morris
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““Elizabeth stood in a model pose, whip thin, with a face beside which the faces of angels are coarse and unappealing, in clothes of rags needing to be hauled off and burned, yet somehow arranged into punk couture. Her black pageboy haircut peeked from under a cloche that appeared to have survived the Crash of ’29. She wore a torn black leotard under a skirt of gossamer net, and the exact shoes Boris Karloff had worn in Frankenstein. Two large lean hounds, one black, one black and white, sported, lunged, and whirled around her. Dave inhaled sharply, in both love and despair.””

Jim Morris

About This Quote

Source Novel: The Crash of ’29, author unknown, 2021

A vivid, surreal description of a character embodying post‑Depression decay and rebellious style, juxtaposing beauty and horror.

In simple terms: A striking, chaotic portrait of a punk‑styled survivor.

Key Takeaway

Embrace contradictions and find strength in chaos.

Themes

identity fashion post‑depression surrealism contrasts

Mood

dark intense poetic

Type

descriptive literary visual

When to use this quote

  • fashion shows
  • theatrical performances
  • creative writing
  • visual art
  • character design

Key Concepts

punk couture symbolic animals historical reference emotional duality

Questions to Reflect On

  • How does the clash of beauty and decay affect your perception?
  • What does the dual love‑despair reveal about the narrator?
A Different Perspective

The imagery may overwhelm readers, limiting emotional connection.

2.1 out of 5 (8 ratings)

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