Albums Quote by Herbie Hancock
![“I spent five years, at least, working with Miles. Together, we recorded ESP, Nefertiti, Sorcerer -- and I can tell you; each of these albums instantly became jazz classics. Hey, we had Wayne Shorter playing tenor sax, Ron [Carter] on bass, Tony Williams played drums. That was great band we had.” quote by Herbie Hancock](https://sms4smile.com/quotes/img-quotes/12b/herbie-hancock-2674_albums_i-spent-five-years-at-least-working-with_2321946.jpg)
“I spent five years, at least, working with Miles. Together, we recorded ESP, Nefertiti, Sorcerer -- and I can tell you; each of these albums instantly became jazz classics. Hey, we had Wayne Shorter playing tenor sax, Ron [Carter] on bass, Tony Williams played drums. That was great band we had.”
About This Quote
Source Interview: Jazz Legends Podcast, 2015
Hancock reflects on his early 1970s collaborations, noting the lasting impact of those recordings as jazz standards.
In simple terms: His early albums became lasting jazz classics.
Key Takeaway
Recognize the lasting value of early collaborations.
Themes
collaboration
legacy
innovation
Mood
proud
reflective
Type
historical
analytical
When to use this quote
- recording sessions
- band formation
- music education
- archival research
Key Concepts
Jazz history
musical chemistry
Questions to Reflect On
- How do early collaborations shape an artist’s later work?
- What makes a recording become a classic?
A Different Perspective
Success also depends on promotion and audience reception, not just talent.
![“I would love to play Nefertiti or Cleopatra or the Queen of Sheba. We preserve more male history than we do female. We have to preserve [female history]. No more complaining. We have to do it.” quote by Zoe Saldana](https://sms4smile.com/quotes/img-quotes/9eb/zoe-saldana-4335_community_i-would-love-to-play-nefertiti-or-cleopa_400725.jpg)
