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Art Quote by Friedrich Nietzsche

“Was it not part of the secret black art of truly grand politics of revenge, of a farseeing, subterranean, slowly advancing, and premeditated revenge, that Israel must itself deny the real instrument of its revenge before all the world as a mortal enemy and nail it to the cross, so that 'all the…” quote by Friedrich Nietzsche
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““Was it not part of the secret black art of truly grand politics of revenge, of a farseeing, subterranean, slowly advancing, and premeditated revenge, that Israel must itself deny the real instrument of its revenge before all the world as a mortal enemy and nail it to the cross, so that 'all the world,' namely all the opponents of Israel, could unhesitatingly swallow just this bait? And could spiritual subtlety imagine any more dangerous bait than this? Anything to equal the enticing, intoxicating, overwhelming, and undermining power of that symbol of the 'holy cross,' that ghastly paradox of a 'God on the cross,' that mystery of an unimaginable ultimate cruelty and self-crucifixion of God for the salvation of man ?””

Friedrich Nietzsche

About This Quote

Source Book: The Antichrist, Friedrich Nietzsche, 1888

Nietzsche critiques how Israel allegedly manipulates the crucifixion symbol to portray itself as a victim and justify revenge, turning a sacred image into a political weapon.

In simple terms: He suggests the cross is used as a strategic bait for global condemnation.

Key Takeaway

Recognize how symbols can be weaponized for political ends.

Themes

politics religion symbolism revenge manipulation

Mood

critical thoughtful analytical

Type

philosophical political

When to use this quote

  • historical analysis
  • political discourse
  • media criticism
  • interfaith dialogue
  • ethical debate

Key Concepts

theology psychology propaganda

Questions to Reflect On

  • How do symbols acquire power in political narratives?
  • Can sacred imagery be ethically used in conflict?
A Different Perspective

The argument may oversimplify complex historical and theological contexts.

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