““Leonardo da Vinci and the much younger Michelangelo had often made it clear that they had no respect for each other’s craft. Leonardo disparaged the new trend for portraying overly muscular male nudes—he said it was like looking at “sacks filled with nuts”—and unfavorably compared the messy, noisy workshop of a sculptor where everything and everyone was covered in marble chips, dust, and sweat with the quiet, clean, orderly studio of a painter “where one can listen to fine music” while working. Michelangelo, on the other hand, made no effort to disguise his dislike for the two-dimensional “falsity” of painting.””
