““I asked why this had impressed him so much, and he said, “You see, those stubborn, long-obscured images are like the layers of our own existence; we are the painters covering them over and over again, but that which appears lost is merely hidden. The old images bide their time and then rise to the surface to join with the new ones. Don’t you see? Pentimento, Verland, transforms the perception of loss into the promise of reconfiguration.””
