I was born on a tiny cot in southwestern Massachusetts during World War II. A sickly child, I turned to photography to… — William Wegman Born Copy Share Image
As soon as I got funny, I killed any majestic intentions in my work. — William Wegman Funny Copy Share Image
I was working with mud and photographs and thread, eyelashes, carrots and acetone... I was throwing radios off buildings and... remember floating… — William Wegman Building Copy Share Image
Dangle something in front of the camera. Get something surprising to be released. — William Wegman Cameras Copy Share Image
I was really relieved not to have to drag something in front of the camera; I could use a pencil and paper.… — William Wegman Cameras Copy Share Image
When I first started making photo pieces it wasn't with the idea of a commitment to the medium. I didn't think I… — William Wegman Art Copy Share Image
Man Ray... loved games and absolutely knew about the camera. It is interesting to note that, although I used him in only… — William Wegman Cameras Copy Share Image
Man Ray takes a lot of pressure off me. It's like having a third person in a conversation; one of you doesn't… — William Wegman Communication Copy Share Image
Photography as a subject is a good one. Its history is only about 150 years... You only have to know about twenty-five… — William Wegman Five Copy Share Image
In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him.… — William Wegman Bigs Copy Share Image
My Weimaraners are perfect fashion models. Their elegant, slinky forms are covered in gray - and gray, everyone knows, goes with anything. — William Wegman Covered Copy Share Image
Sometimes I've drawn on autobiographical material, maybe situations that I've felt trapped by, and turned them into something else, but in a… — William Wegman Certain Copy Share Image
My background is in painting but in school in the sixties, like many artists of that time, I believed that painting was… — William Wegman Art Copy Share Image
