You can't just stick with what you know, you have to evolve. — Vilmos Zsigmond Change Copy Share Image
The best way to know when there's good lighting is when you don't notice it. — Vilmos Zsigmond Best way Copy Share Image
Sometimes the shots serve as homages to other movies and other directors, like Hitchcock. — Vilmos Zsigmond Cinema Copy Share Image
I don't like to be in front of the camera - my place is behind the camera. — Vilmos Zsigmond Copy Share Image
I think that film is still an artform and it doesn't really matter if you're using a digital camera or a film… — Vilmos Zsigmond Cameras Copy Share Image
There is something more to "reality" than just the tangible. There is also mood, and you cannot skip that. — Vilmos Zsigmond Mood Copy Share Image
I don't know the American photographers as well, but I admit I love Ansel Adams. His landscapes are so crisp. — Vilmos Zsigmond Copy Share Image
As an actor, Sean [Penn] is brilliant. And he's really an excellent director, as well. We got along really well. — Vilmos Zsigmond Actor Copy Share Image
I hope that film is going to stay as an artform and that people won't forget that there are good movies also… — Vilmos Zsigmond Cinema Copy Share Image
Kubrick was one of those directors who actually did practically everything in his movies. He actually directed, photographed, wrote, lit, edited -… — Vilmos Zsigmond Cinema Copy Share Image
In fact, I probably learned more about photography from studying black-and-white photography in those magazines [Look Magazine and LIFE Magazine] than I… — Vilmos Zsigmond Copy Share Image
I think film is about images. Cinema needs good images. I think that if you don’t have good images, it’s not going… — Vilmos Zsigmond Cinema Copy Share Image
You make a film for a million dollars and then it costs $10 million to sell it. That's the problem at the… — Vilmos Zsigmond Cinema Copy Share Image
If you do not bother to take the time to compose and to light properly, then you end up with something almost… — Vilmos Zsigmond Art Copy Share Image
There are a lot of directors out there that don't like to deal with actors, I think. Many of them have said… — Vilmos Zsigmond Actors Copy Share Image
Each story has a different approach for me and I try to work with lighting that will tell you visually the story… — Vilmos Zsigmond Approach Copy Share Image
What I would suggest to the young people is to not forget this and don't try to get assimilated into today's Hollywood… — Vilmos Zsigmond Copy Share Image
I think all cinematographers, at least most of them, would love to do everything on location because you cannot cheat on location.… — Vilmos Zsigmond Copy Share Image
I was really fortunate from the time I arrived in Hollywood to work with some of the greatest directors from the beginning.… — Vilmos Zsigmond Copy Share Image
Jack [Nicholson] really knows about the camera. He's one of the directors who likes to play with the camera. He'll change things… — Vilmos Zsigmond Copy Share Image
You always like to be the collaborator. I don't want to take over the movie, because if I want to do that,… — Vilmos Zsigmond Cinema Copy Share Image
It's all about special effects and explosions now. It leaves me just cold when I walk out of the theater. There's no… — Vilmos Zsigmond Cold Copy Share Image
If you need to strap a camera to you or get in a small space, then it makes sense to use digital.I… — Vilmos Zsigmond Copy Share Image
In a period piece, particularly a fantasy, the lighting is your own choice, the lenses are your own choice. It's really a… — Vilmos Zsigmond Choices Copy Share Image
In Slumdog Millionaire when you are immersed in the point of view of children in the slum and the bustle of the… — Vilmos Zsigmond Copy Share Image
I encourage film students who are interested in cinematography to study sculpture, paintings, music, writing and other arts. Filmmaking consists of all… — Vilmos Zsigmond Advice Copy Share Image
For me, movies should be visual. If you want dialogue, you should read a book. — Vilmos Zsigmond Book Copy Share Image
I like to say that lighting is about taking the light away. I often like to use the shadows more than the… — Vilmos Zsigmond Cameraman Copy Share Image
I am actually retired - yes, I am retired. But I like to work. So I'm retired until someone calls me up… — Vilmos Zsigmond Copy Share Image
Some movies are what I would call murky. Just because it's murky doesn't make it artistic. It makes it hard to see. — Vilmos Zsigmond Artistic Copy Share Image
I think too many film students in America are losing the artistry and not learning lighting the right way. — Vilmos Zsigmond America Copy Share Image
There are many, many different kinds of movies and directors and styles. I don't mind that a movie looks like a movie. — Vilmos Zsigmond Cinema Copy Share Image
A good [film] director is talented, imaginative, and does his homework. — Vilmos Zsigmond Cinema Copy Share Image
I really like to work with people who know a lot, but they also give me space so I can add something… — Vilmos Zsigmond Copy Share Image
If you use hand-held techniques just to make the film stylish I think it's wrong. — Vilmos Zsigmond Cinema Copy Share Image
I like the film camera better because the film is still one hundred times better than any digital image at the moment.… — Vilmos Zsigmond Cameras Copy Share Image
I'm not really satisfied with the technology today. Using film was so much easier than the digital technology of today. But digital… — Vilmos Zsigmond Cinema Copy Share Image
I always try to tell the story the best possible way. I create the mood for each scene in a way that… — Vilmos Zsigmond Audience Copy Share Image
I like to work with talented people, I must say that. That's my weakness. I really like to work with good directors.… — Vilmos Zsigmond Directors Copy Share Image