I have an adult emotional life and an editing system inside me which prevents me from being preposterously stupid. — Stephen Hopkins Adults Copy Share Image
It's rare that scenes last more than 2 or 3 minutes, so sound helps segue from one scene to another. — Stephen Hopkins Another Copy Share Image
Everyone was going to play their part honestly, and not try and pretend to be good or bad guys. — Stephen Hopkins Bad Copy Share Image
It's been exciting to be able to go forward with stuff without 10,000 people saying, It should be like this. — Stephen Hopkins Able Copy Share Image
I had no special effects, no monsters running around, nothing blew up; those things are all things I've done so many times… — Stephen Hopkins After Copy Share Image
Knowing that Gene and Morgan were playing those roles made it much easier to put the script together-we knew who we were… — Stephen Hopkins Away Copy Share Image
I believe there's a landscape that exists underneath everything that we can see in present-day stuff. And I think that makes life… — Stephen Hopkins Believe Copy Share Image
I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150… — Stephen Hopkins Birthday Copy Share Image
I've never seen, heard, nor smelled an issue that was so dangerous it couldn't be talked about. Hell yes, I'm for debating… — Stephen Hopkins Dangerous Copy Share Image
I've always been a bit of a sound freak in the movies I've done. — Stephen Hopkins Done Copy Share Image
We use a lot of source music on some shows and none on others. — Stephen Hopkins Lot Copy Share Image
To be able to rely completely on the actors was a very simple process for me. — Stephen Hopkins Able Copy Share Image
Because of all the concurrent stories going in 24 and its fast pace, it can be complicated in terms of the story,… — Stephen Hopkins Because Copy Share Image
When I was thinking of casting this, I thought, What roles would Sellers be playing now? — Stephen Hopkins Casting Copy Share Image
I directed 24's pilot. I felt we should follow the characters around as if we were a documentary crew, using available light,… — Stephen Hopkins Available Copy Share Image
Each environment has its own signature. Sound tells a story: You make choices about what you're hearing, where to look, how you… — Stephen Hopkins Choices Copy Share Image
There's no attempt to manipulate the audience. We made our choice at the start. — Stephen Hopkins Audience Copy Share Image
I wanted to make a film that was sophisticated and emotional, but for a wider audience. — Stephen Hopkins Audience Copy Share Image
Dark impulses certainly exist in me and, I think, in most people. — Stephen Hopkins Dark Copy Share Image
24 isn't like other shows, where you set the look once and you're done. The show started at midnight, then moved to… — Stephen Hopkins Dawn Copy Share Image
