Cinematography is so much about instinct and intuition - you want the same range of experience going into behind the camera as… — Rachel Morrison Come Copy Share Image
I don't love cinematography that's very flashy because I find that it keeps the audience from becoming a part of the film;… — Rachel Morrison Cinema Copy Share Image
Surfing is incredible. It's both meditative and physical. I think it was my way into California. — Rachel Morrison California Copy Share Image
My experience - I'll never know what happens behind closed doors or why I don't get hired for something, but I've never… — Rachel Morrison Behind closed doors Copy Share Image
For me, it's always been about the work - it wasn't about, 'Let's go break some ceilings.' I just wanted to tell… — Rachel Morrison Best Copy Share Image
Life is unpredictable, and I feel, to some extent, lighting and cinematography should be a reflection of that. — Rachel Morrison Feel Copy Share Image
I lived within walking distance of Harvard Square, and that's where I discovered my love of cinema. I saw a lot of… — Rachel Morrison Cinema Copy Share Image
I was probably five when I first picked up a camera. My mom had an Olympus OM-10 that she carried around to… — Rachel Morrison Camera Copy Share Image
We really owe it to our world to infuse our entertainment with messaging. — Rachel Morrison Entertainment Copy Share Image
My wife jokes that any time I want to take a picture of her, it has nothing to do with her -… — Rachel Morrison Light Copy Share Image
So much of 'Mudbound' is about man's relationship to the land and to the elements. It's about the desire for control and… — Rachel Morrison Control Copy Share Image
Sometimes it just takes a little longer to get to your destination, but if you make sure to enjoy the journey, eventually… — Rachel Morrison Destination Copy Share Image
There's something so inspiring about being in real locations, where you can feel the tactile qualities from the layer of paint that… — Rachel Morrison Being Copy Share Image
The focus has to be about making good work. I don't ever want to be hired for a job because I'm a… — Rachel Morrison Focus Copy Share Image
I shot 'Fruitvale Station' on super-16, and then I shot a movie called 'The Harvest' on 35mm, and then I shot 'Little… — Rachel Morrison Accidents Copy Share Image
It's hard to go back to shooting contemporary apartment interiors after you shoot something like 'Mudbound.' — Rachel Morrison Back Copy Share Image
My dad, before he passed away, never understood what I did. What I say is that I'm responsible for translating the director's… — Rachel Morrison Cinema Copy Share Image
Documentaries are inherently instinctual; you're constantly moment to moment, determining what the best place for the camera is to tell the story,… — Rachel Morrison Best Copy Share Image
It's always a challenge to shoot a period film and not have it look like you hit the tea stain button in… — Rachel Morrison Always Copy Share Image
