Part of the reason why I love to operate is because I find that so much of what we do is instinctual.… — Rachel Morrison Copy Share Image
We shot 'Mudbound' in the South in the summer, which meant we were working in extreme heat and humidity at all times… — Rachel Morrison Copy Share Image
Photography was a way for me to freeze time and to capture the moments that were happy and healthy. I saw a… — Rachel Morrison Copy Share Image
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I… — Rachel Morrison Copy Share Image
The theatrical experience is also a communal one. When people saw 'Fruitvale' in the theater, there was not a dry eye at… — Rachel Morrison Copy Share Image
When shooting in real spaces, the work of a cinematographer begins where location meets production design meets time of day. No movie… — Rachel Morrison Copy Share Image
It took me a long time to adapt to the West Coast. I lived eight years in New York before California and… — Rachel Morrison Copy Share Image
You just sort of get used to being one of the only women on set, so it's really refreshing to start to… — Rachel Morrison Copy Share Image
My wife jokes that any time I want to take a picture of her, it has nothing to do with her -… — Rachel Morrison Copy Share Image
Documentaries are inherently instinctual; you're constantly moment to moment, determining what the best place for the camera is to tell the story,… — Rachel Morrison Copy Share Image
Cinematography speaks to everything that women do inherently well: It's multitasking, it's empathy, and it's channeling visuals into human emotion. — Rachel Morrison Copy Share Image
Part of the reason why I love to operate is because I find that so much of what we do is instinctual. It's dancing… — Rachel Morrison Copy Share Image
You can only shoot small movies and documentaries for so long if you want to have a family that you support; eventually, you need… — Rachel Morrison Copy Share Image
As artists, we can't help but infuse our art with our own experience, so your experience becomes informative. — Rachel Morrison Copy Share Image
The first female DPs that I was aware of were Ellen Kuras, Mandy Walker, Nancy Schreiber, Amy Vincent, Sandi Sissel, Maryse Alberti and Tami… — Rachel Morrison Copy Share Image
I think lighting is a reflection of what is at stake emotionally in a movie. — Rachel Morrison Copy Share Image
It would be naive to say that you could make a movie on film for the same price you can digitally. — Rachel Morrison Copy Share Image
Photos have the real task of bringing exposure to places that we otherwise don't have much awareness of. — Rachel Morrison Copy Share Image
I pour my blood, sweat, and tears into a movie. What I always look for is a message and a social consciousness: a relevance… — Rachel Morrison Copy Share Image
Authenticity, to me, is something that you feel, and if it doesn't feel authentic, you pick up on it right away. — Rachel Morrison Copy Share Image
