The effort of painting from life has cost my models a great deal of physical discomfort, and cost me a great deal… — Philip Pearlstein 20th century Copy Share Image
I try to find a compositional structure in the subject itself, in nature... I rely on the angle where the wall meets… — Philip Pearlstein Angle Copy Share Image
It is what is painted between the outlines that makes the difference between merely competent painting and really meaningful art. — Philip Pearlstein Art Copy Share Image
Only the mature artist who works from a model is capable of seeing the body for itself, only he has the opportunity… — Philip Pearlstein Art Copy Share Image
I suggest that it is the honesty of the attempt to recreate the forms and spaces visually without artistic editing that is… — Philip Pearlstein Art Copy Share Image
I decided that expressionism was a cheap way of getting a reaction - show anybody ripped apart, and you get sympathy. I… — Philip Pearlstein Body Copy Share Image
There will always be those who want to make paintings of the human form with all its parts all where they should… — Philip Pearlstein Form Copy Share Image
