Philip Hughes

“Modern Movement architects and designers reinterpreted the rooms of buildings in new ways, using the language of "spatial relationships" and "volumes" in…

— Philip Hughes

“6. Graphic design skills • Look at the models, drawings and sketches of a proposed scheme to understand the placement of graphics.…

— Philip Hughes

“ Exhibit-focused lighting 1. "Ambient light" describes light thrown onto walls creating an overall brightness. 2. "Accent lighting" describes an object illuminated…

— Philip Hughes

“ Expense versus value Interactives, especially digital ones, can be expensive, so exhibition designers should carefully consider their function in telling the…

— Philip Hughes

“4. Exhibition strategy • Investigate the premise for the exhibition. • Construct an interpretive strategy to bring the premise to life. •…

— Philip Hughes

“[...] most exhibitors try to outdo each other in light output. The lighting designer Dan Heap describes this as a "lux war"…

— Philip Hughes

“3. The site • Thoroughly investigate the spaces you are designing for by taking photographs, drawing and measuring. • Measure loading bays…

— Philip Hughes

“ Devising a path The single path: A single path ensures that all visitors have similar experiences and allows the exhibitor to…

— Philip Hughes

“ 9. Sound and film • Use sound and film to add depth to the theme of an exhibition. Many visitors respond…

— Philip Hughes

“[...] in other words, an idealist and determinist covenant with what had been and what was manifest in every nail, piece of…

— Philip Hughes

“ "Find out more" interactives "Find out more" interactives appeal to visitors of all levels of interest—from those who just want to…

— Philip Hughes

“The Visitor Bill of Rights 1. Comfort 2. Orientation 3. Welcome/belonging 4. Enjoyment 5. Socializing 6. Respect 7. Communication 8. Learning 9. Choice and control 10. Challenge and confidence 11. Revitalization”

— Philip Hughes