It's pretty awesome to see people dressed up in period clothing and running around on horses and in carriages and all that… — Cary Fukunaga Believe Copy Share Image
Getting back in the directors chair - there's a sense of like doing something every year. It's not like riding a bike,… — Cary Fukunaga Always learning Copy Share Image
If you're directing, it doesn't really matter any more if it's going straight to TV - what matters is whether you have… — Cary Fukunaga Any Copy Share Image
Collaboration sometimes causes conflict, and sometimes it's easy, but the bringing together of great minds only adds. — Cary Fukunaga Add Copy Share Image
It's a treat and daunting to be directing someone like Judi Dench, who's made more films than I'll ever make in my… — Cary Fukunaga Cinema Copy Share Image
I think I have this field around me that makes electronics work bad. It's not like an entropy thing; it happens very… — Cary Fukunaga Around Copy Share Image
I don't really put trophies out. I don't keep trophies around my apartment. — Cary Fukunaga Apartment Copy Share Image
It's easy to make something avant garde. To do something in the traditional way is much more brave in the sense that… — Cary Fukunaga Avant garde Copy Share Image
When I was a kid, I knew the black and white version of 'Jane Eyre,' and I guess I became interested in… — Cary Fukunaga Became Copy Share Image
A period romance film with elements of horror. That was successful, because I feel like Coppola's DRACULA was one or the other.… — Cary Fukunaga Audience Copy Share Image
When you think about being a director, you think about writing stories, putting the camera in interesting places and directing the actors… — Cary Fukunaga Cinema Copy Share Image
I think that one of the most exciting things about making films is the sort of reaching out to the world. It's… — Cary Fukunaga Ambassadors Copy Share Image
Writing, for me, is an inherent part of understanding the material on a deeper level. — Cary Fukunaga Deeper Copy Share Image
I wanted to make my sophomore film as different as possible. I didn't want to be pigeonholed. I didn't want to be… — Cary Fukunaga Cinema Copy Share Image
Increasingly, there's much better material on television, but there's not always the time and money to make it, so you've got to… — Cary Fukunaga Also Copy Share Image
The authenticity aspect is pretty important to me. When we have to compromise and do something that's not authentic, it really rubs… — Cary Fukunaga Aspect Copy Share Image
It's rare that you can promote a love story and feel fear in a film. — Cary Fukunaga Cinema Copy Share Image
It's so easy for shows to be gritty and handheld and shaky and really tight in people's faces. — Cary Fukunaga Easy Copy Share Image
My ideas tend to be either really big in terms of like, the logistics, or really small. — Cary Fukunaga Big Copy Share Image
I'm terrible at making titles. I never like the titles of my films. — Cary Fukunaga Cinema Copy Share Image
Have you seen McConaughey in 'Unsolved Mysteries?' Even back then, it's a great performance! And he's mowing the lawn. — Cary Fukunaga Back Copy Share Image
I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera. — Cary Fukunaga Anything Copy Share Image
With 'Sin Nombre,' there are parts that I wish were longer. And with 'Jane Eyre' especially, there were parts that I had… — Cary Fukunaga Been Copy Share Image
I think auditions are set up for failure because they're not really the set experience. There's no time to develop the character.… — Cary Fukunaga Character Copy Share Image
