““The name Maldoror, suggesting as it does evil, gold, horror, dawn, sadness etc., seems a curious hybrid, but on reading the work its full title, Les Chants de Maldoror par Le Comte de Lautreamont, seems to contain & imply the constant switches in narrative emphasis-the self as a game (je-jeu) & the author as observer, participant & invisible man-as well as being an inevitable & accurate condensation of, or hint at, the contents.””