Long necks. The thrust of the head in a certain position. The way the fingers work, fabrics work. It's all part of my painting background. — Lillian Bassman Copy Share Image
I am completely tied up with softness, fragility, and the problems of a feminine world. — Lillian Bassman Copy Share Image
Long necks. The thrust of the head in a certain position. The way the fingers work, fabrics work. It's all part of my painting… — Lillian Bassman Copy Share Image
It was sexually a very different thing when [the models] worked with men. They felt a charge... I caught them when they were relaxed,… — Lillian Bassman Copy Share Image
The women who intrigued me [as models] had the most beautiful necks and the most responsive hand movements. At one point, I found El… — Lillian Bassman Copy Share Image
[When I photograph] I project what I'm not. What I would like to be. — Lillian Bassman Copy Share Image
![“It was sexually a very different thing when [the models] worked with men. They felt a charge... I caught them when they were relaxed, natural, and I spent a lot of time talking to them about their husbands, their lovers, their babies.” quote by Lillian Bassman](https://sms4smile.com/quotes/img-quotes/03c/lillian-bassman-61779_baby_it-was-sexually-a-very-different-thing-w_1810739.jpg)
![“The women who intrigued me [as models] had the most beautiful necks and the most responsive hand movements. At one point, I found El Greco, and that elongated look became my way of seeing.” quote by Lillian Bassman](https://sms4smile.com/quotes/img-quotes/e49/lillian-bassman-61779_beautiful_the-women-who-intrigued-me-as-models-had_2104168.jpg)
![“[When I photograph] I project what I'm not. What I would like to be.” quote by Lillian Bassman](https://sms4smile.com/quotes/img-quotes/ff9/lillian-bassman-61779_like_when-i-photograph-i-project-what-i-m-not_2307426.jpg)