I would describe myself as a tallish, shy, middle-aged man who equally loves his work and his freedom. And a good liar! — Maurizio Cattelan Copy Share Image
I produce so little that the works have to be editioned. Otherwise, I don't survive. Also, editioning is relevant for communication. If… — Maurizio Cattelan Copy Share Image
Work was always necessary to survive. Then I decided the goal should be to survive without working. But now I have much… — Maurizio Cattelan Copy Share Image
Every morning, we choose between milk or tea or coffee. Usually, I know what I like, but I don't rule out changing… — Maurizio Cattelan Copy Share Image
I like to produce work for specific places, and it is difficult to do repeat shows in the same space. — Maurizio Cattelan Copy Share Image
Art fairs are a lot like professional proms - you make contacts, have a lot to look at, and in some cases,… — Maurizio Cattelan Copy Share Image
You don't wanna see your work, because you might find out that you do not like it. — Maurizio Cattelan Copy Share Image
Every work of art is a great promise of escape and, therefore, like an open invitation. — Maurizio Cattelan Copy Share Image
Made in Catteland is a project that aims to overcome the boundaries of the work of art as we're used to thinking… — Maurizio Cattelan Copy Share Image
I won't say I'm not fascinated by the way advertising works. I like the sleekness. But a picture in advertising doesn't last… — Maurizio Cattelan Copy Share Image
Provocations are like a Molotov cocktail. They only work one time out of ten, but when it works, it can also be… — Maurizio Cattelan Copy Share Image
Art should be able to be innovative without compromising itself. That's why I believe artists should have bigger preoccupations than checking the… — Maurizio Cattelan Copy Share Image
I am fascinated by the idea of employing beautiful images as a device to convey something extremely disturbing in an apparently harmless way. — Maurizio Cattelan Copy Share Image
The market is like a machine that needs to be constantly excited. It needs to constantly produce wealth and more excitement. There are some… — Maurizio Cattelan Copy Share Image
Part of the blame can be put at the artists' door, too - no question. But I see our involvement more as a consequence.… — Maurizio Cattelan Copy Share Image
I would describe myself as a tallish, shy, middle-aged man who equally loves his work and his freedom. And a good liar! — Maurizio Cattelan Copy Share Image
I produce so little that the works have to be editioned. Otherwise, I don't survive. Also, editioning is relevant for communication. If you make… — Maurizio Cattelan Copy Share Image
Damien Hirst knows how to drive super-fast cars... I love my bicycle. — Maurizio Cattelan Copy Share Image
My aim is to be as open and as incomprehensible as possible. There has to be a perfect balance between open and shut. — Maurizio Cattelan Copy Share Image
Work was always necessary to survive. Then I decided the goal should be to survive without working. But now I have much more work… — Maurizio Cattelan Copy Share Image
I'm not saying the 1970s was a golden age - I don't believe such a thing exists in art . . . It would… — Maurizio Cattelan Copy Share Image
If you are searching to figure out what is true and what is not, you will have a sad life. It means you have… — Maurizio Cattelan Copy Share Image
