My way of directing is definitely unorthodox, definitely unconventional. — Sean Baker Copy Share Image
Route 192 is its own thing, and you can't find that anywhere else. The colors and shapes of the buildings, the way… — Sean Baker Copy Share Image
I'm very influenced by Mike Leigh and the way that he always has these climactic confrontations, like in 'Secrets and Lies' and… — Sean Baker Copy Share Image
Honestly, in retrospect, when I referred to the actors from 'Prince' as non-actors or non-professionals, it was actually a great disservice to… — Sean Baker Copy Share Image
Nobody is going to just come and give you money unless you've proven yourself, especially if you're doing something that is unconventional… — Sean Baker Copy Share Image
I'm seen as a little risky to the industry, I think. All my favorite directors are. — Sean Baker Copy Share Image
Some have said I focus on marginalized communities, but it's not like that was my mission statement. I've just told stories that interest me,… — Sean Baker Copy Share Image
I have been very inspired and influenced by 'The Little Rascals' my entire career. — Sean Baker Copy Share Image
When it comes down to it, I'm still in love with film - I'm a cinephile. — Sean Baker Copy Share Image
Film is the only art form where we feel we have to title our stuff literally. Musicians don't have to title their songs literally.… — Sean Baker Copy Share Image
My one hope for Netflix and Amazon is to be a little more art house- and indie-friendly, pushing those just as hard as they… — Sean Baker Copy Share Image
I cannot stand Hollywood child performances. It just reeks of artifice, and it's weird that, for some reason, Hollywood feels they have to make… — Sean Baker Copy Share Image
Most filmmakers, if not all, come from a place of privilege, if only because of the expense. — Sean Baker Copy Share Image
'The Little Rascals' was set against the background of the Great Depression: the characters were living in poverty. It's just that it wasn't focused… — Sean Baker Copy Share Image
