One of the struggles that I have with classical music is the way one thinks about a recapitulation. There's always this idea… — Julia Holter Copy Share Image
I don't know how well I work in traditions. I don't know if it's just the way I listened to music growing… — Julia Holter Copy Share Image
I do develop characters for songs, and I think of everything as storytelling, in a way. But I don't plan out what… — Julia Holter Copy Share Image
Saying that something is accessible gives it this implication that people need something, and thinking that we know what people need or… — Julia Holter Copy Share Image
There's definitely been a focus on the literary aspects of my music, and I always get a little cringey because I don't feel like… — Julia Holter Copy Share Image
I prefer to work with mystery, but that doesn't work well in an academic environment. They want you to analyze what you're doing, which… — Julia Holter Copy Share Image
I really like being home. I like being comfortable, and I'm not a very dramatic person. — Julia Holter Copy Share Image
I really love working with Ramona from Nite Jewel. We've kind of grown up together. — Julia Holter Copy Share Image
One thing I do like about L.A. is the fact that you can be - whether you're famous or it's just a matter of,… — Julia Holter Copy Share Image
I played cello on my early recordings, but that doesn't mean I'm a cellist, you know? — Julia Holter Copy Share Image
I don't use the harpsichord because it evokes a past time period: I use it because I like the sound. — Julia Holter Copy Share Image
I don't thrive in a school or academic environment, I found out. I thrive better in the world outside the small academy because I… — Julia Holter Copy Share Image
I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem. — Julia Holter Copy Share Image
