It's nice to work with people who know how to mic drums right and how to record properly. But there's something to… — Julia Holter Copy Share Image
I'm happy that I worked alone on 'Tragedy,' but it's obvious that I was trying to create something much bigger than I… — Julia Holter Copy Share Image
I take music very seriously, but it's important to me that my music is - I don't know if 'intuitive' is the… — Julia Holter Copy Share Image
Most records are usually not united by one specific story, but that seems to be something that I like and that I… — Julia Holter Copy Share Image
Saying that something is accessible gives it this implication that people need something, and thinking that we know what people need or… — Julia Holter Copy Share Image
There's definitely been a focus on the literary aspects of my music, and I always get a little cringey because I don't feel like… — Julia Holter Copy Share Image
I prefer to work with mystery, but that doesn't work well in an academic environment. They want you to analyze what you're doing, which… — Julia Holter Copy Share Image
I really like being home. I like being comfortable, and I'm not a very dramatic person. — Julia Holter Copy Share Image
I really love working with Ramona from Nite Jewel. We've kind of grown up together. — Julia Holter Copy Share Image
One thing I do like about L.A. is the fact that you can be - whether you're famous or it's just a matter of,… — Julia Holter Copy Share Image
I played cello on my early recordings, but that doesn't mean I'm a cellist, you know? — Julia Holter Copy Share Image
I don't use the harpsichord because it evokes a past time period: I use it because I like the sound. — Julia Holter Copy Share Image
I don't thrive in a school or academic environment, I found out. I thrive better in the world outside the small academy because I… — Julia Holter Copy Share Image
I try to not think too much about how people are receiving my music. And I'm not really famous enough that it's a problem. — Julia Holter Copy Share Image
