I feel fortunate about being able to make the music I want to make and getting away with it — Duncan Sheik Copy Share Image
I mean, at the end of the day when I'm making a record, what I want to do is what I do — Duncan Sheik Copy Share Image
But really important, perhaps most important is the craft; how you make your record, the creation of these sonic worlds you want… — Duncan Sheik Copy Share Image
I did a song, "Court and Spark," for a Joni Mitchell tribute album that's yet to see the light of day. So she's someone… — Duncan Sheik Copy Share Image
Lately I've been a workaholic. I'm in the studio all the time and I've helped to produce a couple of artists — Duncan Sheik Copy Share Image
So I started chanting when I was nineteen, which was about twelve years ago, and it really had a huge impact on my outlook,… — Duncan Sheik Copy Share Image
I'm a pretty big P.J. Harvey record fan and you can really hear New York in his record — Duncan Sheik Copy Share Image
My first two records were more energetic; Phantom Moon is subtle, quiet; so these various reactions are just something I expected — Duncan Sheik Copy Share Image
For my second record I had gotten ProTools (program) and started to familiar myself with hard disc recording. — Duncan Sheik Copy Share Image
I actually think sadness and darkness can be very beautiful and healing. — Duncan Sheik Copy Share Image
Simon Hale, the British arranger, does all string and wood arrangements on my records — Duncan Sheik Copy Share Image
I try to make sure that the Buddhism is more or less implicit in the music rather than explicit — Duncan Sheik Copy Share Image
My second record was all about big ideas - I was trying to make big statements about the culture, about life. I think in… — Duncan Sheik Copy Share Image
When I was a teenager, I got into four track recorders, drum machines, and synthesizers, and I started producing instrumental music. — Duncan Sheik Copy Share Image
