There are many aspects about what and why we photograph: visual pleasure, personal empathy, intellectual stimulation, technical excellence, etc. Serious photographers and… — Michael Kenna Copy Share Image
You must have a visual sense if you want to be a photographer. It is a very subtle thing, this visual business. — Elliott Erwitt Copy Share Image
You have to have an eye and a feeling for where things go. Writing visually, writing textually, writing sonically. Text is visual… — Masha Tupitsyn Copy Share Image
There's some connection between visual images and music. But there's plenty of old records where I have no idea what the band… — Robert Crumb Copy Share Image
A work can do many things at once, and it doesn't have to be just about the world, it could also be… — Stephen Shore Copy Share Image
In the past, people couldn't place me. They thought that I was Danish or English or French. They never got that I… — Italo Zucchelli Copy Share Image
When you drive a car, either you manage it and feel it with the grip of the car, or, like me, you… — Jean Alesi Copy Share Image
The visual stuff just lives inside of you. As far as really being able to take care of an actor on a… — Drea de Matteo Copy Share Image
The visual possibility of seeing the historical person (as opposed to the eternal Qur'anic man) on screen is arguably the single most… — Hamid Dabashi Copy Share Image
Around the time I began starving, in the early eighties, the visual image had begun to supplant text as culture's primary mode… — Caroline Knapp Copy Share Image
He stood staring into the wood for a minute, then said: "What is it about the English countryside — why is the… — Dodie Smith Copy Share Image
For me and my films, I want my audience to experience cinema in its full glory. It's not just visual, it's audio… — James Wan Copy Share Image
Can the vast technology beneath our gaze be anything but a representation? Any optical artifact... The city panorama is a theoretical (ie… — Michel de Certeau Copy Share Image
'District 9', 'Elysium' and 'Chappie' were all born out of some visual concept first. 'Chappie' is the imagery, because I think I'm… — Neill Blomkamp Copy Share Image
Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language… — Rod Serling Copy Share Image
What I so like about Poussin and Cezanne is their sense of organization. Ilike the way in which they develop space and… — Ian Hornak Copy Share Image
So I like to try to go back and develop pure visual storytelling. Because to me, it's one of the most exciting… — Brian De Palma Copy Share Image
I began as a boy with artistic talent... as a visual artist... I thought that was what I'd become and in my… — Russell Banks Copy Share Image
I think the artwork is very important because it gives people a visualization of my music. I wanted to create a whole… — Shook Copy Share Image
The visual does seem to me the most thoroughly grasped and recorded among my impressions; sight seems to be my principal sense… — Zygmunt Bauman Copy Share Image
We're so conditioned to the syntax of the camera that we don't realize that we are running on only half the visual… — Adam Fuss Copy Share Image
I have no ear for music. When I attend a concert, I endeavor gamely to follow the sequence and relationship of sounds… — Vladimir Nabokov Copy Share Image
You always like to be the collaborator. I don't want to take over the movie, because if I want to do that,… — Vilmos Zsigmond Copy Share Image
Fifty years from now I don't think optical realism is going to be an issue in visual communication any more. Experience is… — Bill Viola Copy Share Image