There are so many films now where you know the story is a supporting role to the visual effects. — Ricky Gervais Copy Share Image
When I work, I'm thinking in terms of purely visual effects and relations, and any verbal equivalent is something that comes afterwards.… — Adolph Gottlieb Copy Share Image
The most important thing is that you have to have the visual effects working for you, instead of you working for the… — David Heyman Copy Share Image
I grew up watching movies and being amazed at the animatronics you'd see in stuff like 'The Dark Crystal,' and all those… — Colin O'Donoghue Copy Share Image
You set up the look, the visual effects and the sets, and that's awesome, but I enjoy the casting most of all.… — Joseph McGinty Nichol Copy Share Image
'Mayabazar' was the film I immensely loved as a kid. Only when I became a filmmaker about 20 years later did I… — S. S. Rajamouli Copy Share Image
'Mars et Avril' is a science fiction film. It's set in Montreal some 50 years in the future. No one had done… — Martin Villeneuve Copy Share Image
We've been working on the visual effects for a year, so we're trying to raise the bar. Stuff will absolutely come out… — Paul W. S. Anderson Copy Share Image
In my opinion, visual effects are great when it compliments a good story, and action is great when it compliments a good… — Drew Roy Copy Share Image
I've always been into visual effects. It was something I took keen interest in before films happened. Ironically, I am a part… — Emraan Hashmi Copy Share Image
I spent 10 or 15 years doing visual effects and, if I learned anything from that time, it's that you do the… — Gareth Edwards Copy Share Image
Especially in television, when you do visual effects, what you're predominantly doing is trying to add value to TV shows that otherwise… — Gareth Edwards Copy Share Image
When I'm working on the scripts or working with the other actors or rehearsing with the director, and when the director is… — Andy Serkis Copy Share Image
I don't necessarily think there's a difference in terms of how the film industry and the ad industry view visual effects. If… — Joshua Rogers Copy Share Image
The final battle of 'Eclipse' kind of blows the socks off everything we've seen earlier in the series, because you finally have… — Wyck Godfrey Copy Share Image
In movies, you can basically buy the audience into the theater. If you spend enough money on visual effects, even if you… — Doug Liman Copy Share Image
If we do another 'Deadpool,' we'd love to have more money for visual effects. But I don't think anybody does good with… — Tim Miller Copy Share Image
It's difficult to choose between these art forms. Iconography is entirely different from the style of the 15th century masters, who were… — Mary Pope Osborne Copy Share Image
My name is Raquel Welch. I am here for visual effects, and I have two of them. — Raquel Welch Copy Share Image
If you imagine yourself as a craftsman at ILM, you spend your days tumbling buses and animating shards of glass. You're doing… — Gore Verbinski Copy Share Image
I've always been respectful to all the people who do visual effects and special effects, because making movies is also making magic. — Gaspar Noe Copy Share Image
The g-forces increased and I wasn't able to continue to hold the camera against the window, so I had to lay it… — Buzz Aldrin Copy Share Image
I think for most people, the audience probably couldn't tell the difference, but I know they [shots of visual effects] can be… — Ang Lee Copy Share Image
And this movie [Real Steel] definitely looks like nothing else I've made, which was the point. I think also, Evangeline and Hugh… — Shawn Anthony Levy Copy Share Image
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