When you make a war movie, the other side has to be the enemy. You're making a war movie from the point… — Doug Liman Copy Share Image
From a production point of view, I still have one foot firmly planted in the independent film world, and much of the… — Doug Liman Copy Share Image
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God… — Doug Liman Copy Share Image
When I read the script of 'The Wall,' I saw how much different the war looks from the point of view of… — Doug Liman Copy Share Image
'Mr. and Mrs. Smith' - every scene is from those characters' point of view. They're in literally every scene, very unusual in… — Doug Liman Copy Share Image
I always wanted to make a 'James Bond' film, and they only seemed to hire British directors, and I'd made 'Swingers' - they were… — Doug Liman Copy Share Image
I always wanted to make big action movies as a kid, and that was my dream. In a way, 'Swingers' was the thing I… — Doug Liman Copy Share Image
TV has no choice, but to rely on character, and everybody knows that. I love working in it. It's such a big canvas where,… — Doug Liman Copy Share Image
My older brother took me to Woody Allen double features when I was still teething. — Doug Liman Copy Share Image
Given the kind of filmmaker I am, the kind of experiences I've been trying to give audiences, I was drawn to the potential of… — Doug Liman Copy Share Image
The 'Bourne' franchise means the world to me. I love that Universal wants to put one out every two years. Because it is a… — Doug Liman Copy Share Image
When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view… — Doug Liman Copy Share Image
The more real I got on 'The Bourne Identity,' the more interesting it got. So 'Fair Game' was the chance to go a few… — Doug Liman Copy Share Image
