I went to USC film school, briefly, which is a very traditional film school. — Doug Liman Copy Share Image
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, and through him I met… — Doug Liman Copy Share Image
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God… — Doug Liman Copy Share Image
I never want to repeat myself. I can't imagine anything else as upsetting as realizing I'm redoing something I did before. For… — Doug Liman Copy Share Image
'Mr. and Mrs. Smith' - every scene is from those characters' point of view. They're in literally every scene, very unusual in… — Doug Liman Copy Share Image
I always wanted to make a 'James Bond' film, and they only seemed to hire British directors, and I'd made 'Swingers' - they were… — Doug Liman Copy Share Image
I always wanted to make big action movies as a kid, and that was my dream. In a way, 'Swingers' was the thing I… — Doug Liman Copy Share Image
TV has no choice, but to rely on character, and everybody knows that. I love working in it. It's such a big canvas where,… — Doug Liman Copy Share Image
My older brother took me to Woody Allen double features when I was still teething. — Doug Liman Copy Share Image
Given the kind of filmmaker I am, the kind of experiences I've been trying to give audiences, I was drawn to the potential of… — Doug Liman Copy Share Image
The 'Bourne' franchise means the world to me. I love that Universal wants to put one out every two years. Because it is a… — Doug Liman Copy Share Image
When you make a war movie, the other side has to be the enemy. You're making a war movie from the point of view… — Doug Liman Copy Share Image
The more real I got on 'The Bourne Identity,' the more interesting it got. So 'Fair Game' was the chance to go a few… — Doug Liman Copy Share Image
