I don't see how English as we use it in Europe can be revivified. It's like Latin must have been in about A.D. 300, tired and used up. All one can do is press very hard stylistically to make it… — John Banville Copy Share Image
For memory, we use our imagination. We take a few strands of real time and carry them with us, then like an oyster we create a pearl around them. — John Banville Copy Share Image
I've always been fascinated by physics and cosmology. It gets more and more scary the older you get. — John Banville Copy Share Image
“What did I brood on, sitting there in the classic pose with my elbows on my knees and my chin on my hands? We… — John Banville Copy Share Image
“Her own mother had died when Anna was twelve and since then father and daughter had faced the world like a pair of nineteenth-century… — John Banville Copy Share Image
The effect of prizes on one's career - if that is what to call it - is considerable, since they give one more clout… — John Banville Copy Share Image
“Of all the things we fashioned for them that they might be comforted, dawn is the one that works. When darkness sifts from the… — John Banville Copy Share Image
“Yet even without saying, each knew what the other was thinking, and, more acutely, what the other was feeling -- this is a further… — John Banville Copy Share Image
“I have ever had the conviction, resistant to all rational considerations, that at some unspecified future moment the continuous rehearsal which is my life,… — John Banville Copy Share Image
“The novel is a kind of elephant. But I like to make that elephant dance on a quarter.” — John Banville Copy Share Image
Art is amoral, whether we accept this or not; it does not take sides. The finest fictions are cold at heart. — John Banville Copy Share Image
“At thee seaside all is narrow horizontals, the world reduced to a few long straight lines pressed between earth and sky.” — John Banville Copy Share Image
