Film has far more color shades. It's called 'bit depth' in digital terms. And most bit depth in digital is about twelve, but film bit depth can be twenty to thirty. And so you just have more shades of yellow… — Greg MacGillivray Copy Share Image
In a normal movie, the director controls what you look at. The shots don't last very long because you're getting the audience to look at specific things. An IMAX shot, on the other hand, can be twenty or thirty seconds… — Greg MacGillivray Copy Share Image
I love the ocean; growing up around Laguna Beach, I spent my summers surfing, diving, and snorkeling. — Greg MacGillivray Copy Share Image
My job is to find the stories, find where to go, do the research, do the logistics, be there on location, and do as… — Greg MacGillivray Copy Share Image
Film has far more color shades. It's called 'bit depth' in digital terms. And most bit depth in digital is about twelve, but film… — Greg MacGillivray Copy Share Image
Marine scientists predict that by 2050 there will be no more large fish left in the ocean if we don't change our relationship with… — Greg MacGillivray Copy Share Image
Grain isn't structured like a screen door that you're looking through, but pixels are. Film-based grain is just all over the place, one frame… — Greg MacGillivray Copy Share Image
Not only have I made films about the subject, but I've largely funded them on my own, so I'm fully committed to doing whatever… — Greg MacGillivray Copy Share Image
At first, the tornado is nearly invisible. Against the sky, it's white on white. — Greg MacGillivray Copy Share Image
What's happening on the Colorado River is happening all over the world. The water is overused, overdammed, and it's polluted in some places. — Greg MacGillivray Copy Share Image
We have new tools that can give the audience a sense of not only being there, which is the key element in an IMAX… — Greg MacGillivray Copy Share Image
With digital, you do have the advantage of having an absolutely rock steady image because there's no projector gate, no perforations, no film weaving… — Greg MacGillivray Copy Share Image
What I love about IMAX is that, when you're in an IMAX theater, in a museum, science center or aquarium, it's eight stories tall… — Greg MacGillivray Copy Share Image
I've been using the power of the IMAX medium, with its gigantic screens and supervivid pictures, to get people to fall in love with… — Greg MacGillivray Copy Share Image
In a normal movie, the director controls what you look at. The shots don't last very long because you're getting the audience to look… — Greg MacGillivray Copy Share Image
There are major challenges, when it comes to making a film in the Arctic. When you're filming wildlife and that wildlife doesn't necessarily take… — Greg MacGillivray Copy Share Image
The ocean is our planet's life support system, yet in my travels and at home, I've seen its degradation firsthand. — Greg MacGillivray Copy Share Image
