Do a good job on a good film and you're on the map. Do a great job on a bad movie and not very many people will think of you. — Maryse Alberti Copy Share Image
As important as it is to learn the techniques of cinematography, you also have to learn how to deal with the movie set, with show business. I came up with a cinematographer who is very talented, but she was never quite able to handle everything else you have to do - dealing with the producer and the crew and the… — Maryse Alberti Copy Share
I have a 22-year-old son, and when my son was born I made a decision to raise him. My husband and I took turns working, and it's easier to raise a kid in the documentary world, where you go away for two weeks or three weeks rather than the months that you spend on a feature. That was and still… — Maryse Alberti Copy Share
Male crews know that women cinematographers are here to stay, and there will be more of us. If they're professionals, they behave as such. — Maryse Alberti Copy Share Image
I always start a movie by being very firm and very hard and very, very serious, and then I can relax a little more… — Maryse Alberti Copy Share Image
I think women have made progress in cinematography, contrary to women directors, who I think have regressed. There are many more women cinematographers than… — Maryse Alberti Copy Share Image
At the beginning of my career, I shot a lot more documentaries because I liked the adventure, and probably also because it was easier,… — Maryse Alberti Copy Share Image
One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought, Do I… — Maryse Alberti Copy Share Image
Do a good job on a good film and you're on the map. Do a great job on a bad movie and not very… — Maryse Alberti Copy Share Image
