The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into… — Billy Collins Copy Share Image
“The whole idea of it makes me feel Like I’m coming down with something, Something worse than any stomach ache Or the headaches I… — Billy Collins Copy Share Image
I think clarity is the real risk in poetry because you are exposed. You're out in the open field. You're actually saying things that… — Billy Collins Copy Share Image
...pleasure, of course, is a slippery word… Our pleasures ultimately belong to us, not to the pleasure's so — Billy Collins Copy Share Image
I stared up at the ebbing quarter moon and the stars scattered like a handful of salt across the faraway sky... — Billy Collins Copy Share Image
A trouble with poetry is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted… — Billy Collins Copy Share Image
You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight. You either continue to… — Billy Collins Copy Share Image
But my heart is always propped up in a field on its tripod, ready for the next arrow. — Billy Collins Copy Share Image
I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano… — Billy Collins Copy Share Image
Every Day Is for the Thief is a vivid, episodic evocation of the truism that you can't go home again; but that doesn't mean… — Billy Collins Copy Share Image
Humor, for me, is really a gate of departure. Its a way of enticing a reader into a poem so that less funny things… — Billy Collins Copy Share Image
You know how sometimes you just have a memory of looking up and seeing a face looking over your crib and then remember nothing… — Billy Collins Copy Share Image
