Japan lives with drastic segregation between the sublime, the ugly, and the utterly without qualities. Dominance of the last 2 categories makes mere presence of the first stunning: when beauty 'happens', it is absolutely surprising. — Rem Koolhaas Copy Share Image
When air conditioning, escalators, and advertising appeared, shopping expanded its scale, but also limited its spontaneity. And it became much more predictable, almost scientific. What had once been the most surprising became the most manipulated. — Rem Koolhaas Copy Share Image
That has been another interesting discovery: that basically a city [Lagos] could recover from a really deep, deep, deep pit. — Rem Koolhaas Copy Share Image
Manhattan has generated a shameless architecture that has been loved in direct proportion to its defiant lack of self-hatred, has been respected exactly to… — Rem Koolhaas Copy Share Image
In a script, you have to link various episodes together, you have to generate suspense and you have to assemble things - through editing,… — Rem Koolhaas Copy Share Image
The beauty of my profession [architecture] lies in its randomness and surprise. And don't think I can choose my projects. I have to build… — Rem Koolhaas Copy Share Image
Our office acts like a kind of educational establishment and we are very careful who we educate. — Rem Koolhaas Copy Share Image
We discovered a person in Lagos who had a fish stall, and within a single square metre she carried two children all the way… — Rem Koolhaas Copy Share Image
Nigeria [in 1990] was all rumour, an unbelievable amount of rumour - largely about crime and almost mythical manifestations of evil. — Rem Koolhaas Copy Share Image
Let's put it this way: One can be happy or unhappy in a building. But some buildings make us more depressed than others. — Rem Koolhaas Copy Share Image
Nigeria was a blank on the map - there weren't even any maps. The US State Department, everyone said don't go there. It was… — Rem Koolhaas Copy Share Image
The work in S, M, L, XL was almost suicidal. It required so much effort that our office almost went bankrupt. — Rem Koolhaas Copy Share Image
Manhattan has no choice but the skyward extrusion of the Grid itself; only the Skyscraper offers business the wide-open spaces of a man-made Wild… — Rem Koolhaas Copy Share Image