Manhattan has generated a shameless architecture that has been loved in direct proportion to its defiant lack of self-hatred, has been respected… — Rem Koolhaas Copy Share Image
In a script, you have to link various episodes together, you have to generate suspense and you have to assemble things -… — Rem Koolhaas Copy Share Image
The beauty of my profession [architecture] lies in its randomness and surprise. And don't think I can choose my projects. I have… — Rem Koolhaas Copy Share Image
Manhattanism is the one urbanistic ideology that has fed, from its conception, on the splendors and miseries of the metropolitan condition—hyper-density—without once… — Rem Koolhaas Copy Share Image
The intellectual force of the West is still dominant, but other cultures are getting stronger. I expect that we will develop a… — Rem Koolhaas Copy Share Image
As more and more architecture is finally unmasked as the mere organization of flow—shopping centers, airports—it is evident that circulation is what… — Rem Koolhaas Copy Share Image
Architecture is a rare collective profession: it's always exercised by groups. There is an essential modesty, which is a complete contradiction to… — Rem Koolhaas Copy Share Image
In this branch of utopian real estate, architecture is no longer the art of designing buildings so much as the brutal skyward… — Rem Koolhaas Copy Share Image
“Architecture is a fuzzy amalgamation of ancient knowledge and contemporary practice, an awkward way to look at the world and an inadequate… — Rem Koolhaas Copy Share Image
Any architectural project we do takes at least four or five years, so increasingly there is a discrepancy between the acceleration of… — Rem Koolhaas Copy Share Image
Architecture is a hazardous mixture of omnipotence and impotence. It is by definition a c h a o t i c a… — Rem Koolhaas Copy Share Image
I'd say that my profession ends where architectural thinking ends - architectural thinking in terms of thinking about programs and organizational structure.… — Rem Koolhaas Copy Share Image
I studied in London in 1968. Our school had a separate department of tropical architecture. Of course it was totally unfashionable, partly… — Rem Koolhaas Copy Share Image
All important architecture of the last century was strongly influenced by political systems. Look at the Soviet system, with its constructivism and… — Rem Koolhaas Copy Share Image
What is now called 'green architecture' is an opportunistic caricature of a much deeper consideration of the issues related to sustainability that… — Rem Koolhaas Copy Share Image
The architecture per se isn't at fault. The more important factor, in my view, is the political neglect of these areas, which… — Rem Koolhaas Copy Share Image
Architects work in two ways. One is to respond precisely to a client's needs or demands. Another is to look at what… — Rem Koolhaas Copy Share Image
Escape from the architecture ghetto is one of the major drivers and has been from the very beginning. — Rem Koolhaas Copy Share Image
Beauty isn't what I'm primarily interested in [in architecture]. I think appropriateness is more important. — Rem Koolhaas Copy Share Image
That has been another interesting discovery: that basically a city [Lagos] could recover from a really deep, deep, deep pit. — Rem Koolhaas Copy Share Image
Manhattan has generated a shameless architecture that has been loved in direct proportion to its defiant lack of self-hatred, has been respected exactly to… — Rem Koolhaas Copy Share Image
In a script, you have to link various episodes together, you have to generate suspense and you have to assemble things - through editing,… — Rem Koolhaas Copy Share Image
The beauty of my profession [architecture] lies in its randomness and surprise. And don't think I can choose my projects. I have to build… — Rem Koolhaas Copy Share Image
Our office acts like a kind of educational establishment and we are very careful who we educate. — Rem Koolhaas Copy Share Image
We discovered a person in Lagos who had a fish stall, and within a single square metre she carried two children all the way… — Rem Koolhaas Copy Share Image
Nigeria [in 1990] was all rumour, an unbelievable amount of rumour - largely about crime and almost mythical manifestations of evil. — Rem Koolhaas Copy Share Image
Let's put it this way: One can be happy or unhappy in a building. But some buildings make us more depressed than others. — Rem Koolhaas Copy Share Image
Nigeria was a blank on the map - there weren't even any maps. The US State Department, everyone said don't go there. It was… — Rem Koolhaas Copy Share Image
The work in S, M, L, XL was almost suicidal. It required so much effort that our office almost went bankrupt. — Rem Koolhaas Copy Share Image
Manhattan has no choice but the skyward extrusion of the Grid itself; only the Skyscraper offers business the wide-open spaces of a man-made Wild… — Rem Koolhaas Copy Share Image