Governments can help support European music by promoting public awareness that when people take music that doesn't belong to them, they undermine the future of those very artists whose work they enjoy. — Jean-Michel Jarre Copy Share Image
I had no precise plan when I started 'Electronica,' but I think it has been a very positive journey for me. — Jean-Michel Jarre Copy Share Image
My first synthesizer was the VCS3. I got it in Bristol in the late Sixties, long before Pink Floyd used them. I had to… — Jean-Michel Jarre Copy Share Image
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist… — Jean-Michel Jarre Copy Share Image
I collect robots. They're mainly Japanese, American, and especially Russian - small robots, big robots, and old toy robots made between 1910 and the Fifties. — Jean-Michel Jarre Copy Share Image
What is important to me is that the world understand that the problems of the Dead Sea concern not only residents of the region… — Jean-Michel Jarre Copy Share Image
Most of the time, when you are in the studio, you are revealing yourself; you're a bit naked. You can express your weaknesses, your… — Jean-Michel Jarre Copy Share Image
For me, electronic music is the classical music of the 21st century. — Jean-Michel Jarre Copy Share Image
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors. — Jean-Michel Jarre Copy Share Image
I was obsessed with the idea that no two sounds on 'Oxygene' should ever be exactly the same. I wanted a heartbeat feel, something… — Jean-Michel Jarre Copy Share Image
I just had one occasion in my life when suddenly my private life was everywhere, and that was an accident and beyond my control. — Jean-Michel Jarre Copy Share Image
If music is to continue to support the livelihoods of artists, it cannot be taken without the permission of artists. — Jean-Michel Jarre Copy Share Image
