I try to just put a blank stage in front of them, and say, "This is your space; you tell me where you're coming from and where you're going." At a certain point, it was interesting as the project started… — Doug Aitken Copy Share Image
What The Source becomes, in a physical sense, is almost like this particle accelerator. There's all these different, discrete voices and ideas. If you… — Doug Aitken Copy Share Image
I really like the idea of banality and repetition being used to generate the image, which are simple and unobstructed and not captivated by… — Doug Aitken Copy Share Image
You see someone like maybe William Eggleston. William doesn't even really talk about what he does; he just wants to make these images. He… — Doug Aitken Copy Share Image
In sound design programs now, you can literally sculpt the sound on visual graphs. Sometimes the visual programs are even more interesting than the… — Doug Aitken Copy Share Image
It might be David Adjaye talking about how the structure of jazz music informs his architecture, it might be the musician Terry Riley talking… — Doug Aitken Copy Share Image
Divisions between culture is not this precious thing, it's just this dirty beehive with things moving around, creating accidents, and violence, and harmony. It's… — Doug Aitken Copy Share Image
I think the idea of embracing the process, creating something, no matter how thin it is, that you can call a starting point -… — Doug Aitken Copy Share Image
When you make work, the concept is the basis for it; all choices of aesthetics or mediums come later. — Doug Aitken Copy Share Image
The compartmentalizing is so severe, that we kind of lose track. When you sit down to dinner with friends, you're going to talk about… — Doug Aitken Copy Share Image
Our culture is just too comfortable in creating these kind of divisions between culture. — Doug Aitken Copy Share Image
I try to just put a blank stage in front of them, and say, "This is your space; you tell me where you're coming… — Doug Aitken Copy Share Image
