Stop-motion is sort of the redheaded stepchild of animation. But it's incredibly beautiful. — Travis Knight Copy Share Image
The only kind of people who pursue stop-motion as a career are people who are absolutely in love with the medium. — Travis Knight Copy Share Image
Stop-motion is filmmaking at the pace of a glacier. In live action, you're moving so quickly. — Travis Knight Copy Share Image
One of the things that gives stop-motion its inherent magic is that you're seeing something imperfect and thus undeniably human - because… — Travis Knight Copy Share Image
Historically, for a stop-motion film, you gathered the crew together, you made the movie, and then everyone ran screaming to the next… — Travis Knight Copy Share Image
Stop-motion has limitations, any form of filmmaking does, but stop-motion has a lot of limitations. — Travis Knight Copy Share Image
People have been declaring stop-motion dead for a generation. But living in the digital age, people appreciate the art of craft, or… — Travis Knight Copy Share Image
If you go too small, you can't get the performance you need out of the small little parts. And if you go… — Travis Knight Copy Share Image
Let's be honest, working in stop motion is awful. It's the worst. It's such a stupid way to make a movie. It's… — Travis Knight Copy Share Image
We're not purists about stop-motion. If there's a tool we can use that makes more sense to bring something to life in… — Travis Knight Copy Share Image
This medium of stop-motion, it can be much more than it's been kind of defined as - it's not just a creaky… — Travis Knight Copy Share Image
When you look back over 100 years when stop-motion was really at the dawn of cinema, a lot of the ways it… — Travis Knight Copy Share Image
We use technology in service of the art, as a storytelling tool - and if we want to do something that's never… — Travis Knight Copy Share Image
Very few people view stop motion the way we do. We really try to use it - and animation generally - as… — Travis Knight Copy Share Image
Historically, stop-motion animation has had a jerky-jerky quality, which is a constant reminder to audiences that they're looking at artificial objects. It… — Travis Knight Copy Share Image
A fundamental and unfortunate part of being alive is to suffer loss and to suffer grief. — Travis Knight Copy Share Image
Our ambition is to be the center of independent animation filmmaking; to be the bravest animation studio in the world. — Travis Knight Copy Share Image
If you look at 'Coraline' and you look at 'ParaNorman' certainly you can tell that there are threads of the same DNA between those… — Travis Knight Copy Share Image
I fully believe that representation and inclusion matters... and that's why on all of our films, we've featured diverse casts, and that actually is… — Travis Knight Copy Share Image
I always loved that solitary experience of making things. There's a solitary aspect to animating... It's ultimately the animator and the puppet coaxing a… — Travis Knight Copy Share Image
When you think of the warm grandmotherly type of character, you don't think of Elaine Stritch. — Travis Knight Copy Share Image
When we started on 'Coraline,' there was a whole host of things that we had no idea how we were going to do. Because… — Travis Knight Copy Share Image
When you look back over 100 years when stop-motion was really at the dawn of cinema, a lot of the ways it developed was… — Travis Knight Copy Share Image
This medium of stop-motion, it can be much more than it's been kind of defined as - it's not just a creaky and anachronistic… — Travis Knight Copy Share Image
I think there's an unfortunate thing where a lot of content geared towards kids and families is watered down, dumbed down. — Travis Knight Copy Share Image
