The square = feeling, the white field = the void beyond this feeling. — Kazimir Malevich Copy Share Image
I recommend that you should work actively... and study the artistic structures of Rubens, Rembrandt, Titian, Watteau, Poussin, and other painters, even… — Kazimir Malevich Copy Share Image
When, in 1913, in a desperate attempt to rid art of the ballast of objectivity, I took refuge in the form of… — Kazimir Malevich Copy Share Image
Everything which we loved is lost. We are in a desert .... Before us is nothing but a black square on a… — Kazimir Malevich Copy Share Image
When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the… — Kazimir Malevich Copy Share Image
Only dull and impotent artists screen their work with sincerity. In art there is need for truth, not sincerity. — Kazimir Malevich Copy Share Image
Painters were also attorneys, happy storytellers of anecdote, psychologists, botanists, zoologists, archaeologists, engineers, but there were no creative painters. — Kazimir Malevich Copy Share Image
Every real form is a world. And any plastic surface is more alive than a face from which stares a pair of eyes and… — Kazimir Malevich Copy Share Image
“I realized that the "thing" and the "concept" were substituted for feeling and understood the falsity of the world of will and idea” — Kazimir Malevich Copy Share Image
For the Suprematist, the proper means is the one that provides the fullest expression of pure feeling and ignores the habitually accepted object. The… — Kazimir Malevich Copy Share Image
I have established the semaphore of Suprematism. I have beaten the lining of the colored sky, torn it away and in the sack that… — Kazimir Malevich Copy Share Image
By suprematism I mean the supremacy of pure feeling in creative art. — Kazimir Malevich Copy Share Image
Man's skull represents the same infinity for the movement of conceptions. It is equal to the universe, for in it is contained all that… — Kazimir Malevich Copy Share Image
There is movement and movement. There are movements of small tension and movements of great tension and there is also a movement which our… — Kazimir Malevich Copy Share Image
I regard photography and film simply as new technical means which painters must absolutely make use of, just as from time out of mind… — Kazimir Malevich Copy Share Image
Only when the habit of one's consciousness to see in paintings bits of nature, madonnas and shameless nudes... has disappeared, shall we see a… — Kazimir Malevich Copy Share Image
To the Suprematist the visual phenomena of the objective world are, in themselves, meaningless; the significant thing is feeling, as such, quite apart from… — Kazimir Malevich Copy Share Image
