The way something looks or sounds is also what it means. Words as visual and aural phenomena, which mainly poets, not critics and prose writers, tend to be obsessed with. I think maybe I'm more of a curator than I… — Masha Tupitsyn Copy Share Image
We don't experience things collectively or cathartically anymore. Viewing has become an intensely private, fetishistic, compulsive process that happens separately from others, and that reflects not only our relation to cinema as a space of possibility, belief, and imagination. But… — Masha Tupitsyn Copy Share Image
I was never really satisfied with writing only text or with the way my texts looked when they were published. Most online journals have… — Masha Tupitsyn Copy Share Image
Not only is true love rare and true rebellion rare, real love is itself a radical form of rebellion - engagement, thinking, and being… — Masha Tupitsyn Copy Share Image
In the digital economy, everything is archived, catalogued, readily available, and yet nothing really endures. — Masha Tupitsyn Copy Share Image
Love has been the ontological pattern for me. And also the withholding pattern. — Masha Tupitsyn Copy Share Image
I still have faith in people. But that is getting increasingly harder to maintain. I just don't see many people today choosing love. I… — Masha Tupitsyn Copy Share Image
Thinking through quotes, which to say scouring a range of texts for insight, is one way to outline the process of thinking/feeling through a… — Masha Tupitsyn Copy Share Image
At any moment I could give up, but I haven't because love for me is an indispensable structure for being. — Masha Tupitsyn Copy Share Image
Quotes are like prompts. A way of searching, connecting the dots. Other people's thinking has always - both positively and negatively - jumpstarted my… — Masha Tupitsyn Copy Share Image
For me, the eye and the word go together. Even when I was working in word documents, I was always obsessed with fonts, size,… — Masha Tupitsyn Copy Share Image
The digital age is for me in many ways about temporal wounding. It's really messed up our ontological clocks. — Masha Tupitsyn Copy Share Image
