I had a big fight about how to make something come into the real, to make it physical. It sounds really antique, but it's a question of, how do I make this idea happen? You can't just will it into… — Sarah Morris Copy Share Image
I think the films and the paintings erase each other. The paintings are extremely slow and constantly going on in the studio - they're… — Sarah Morris Copy Share Image
The meaning of an artwork is changing depending on who's looking at it - depending on what culture, depending on what time, and so… — Sarah Morris Copy Share Image
It's always an interesting thing that happens between an artist and their work. People collapse the two, and for any artist, there will be… — Sarah Morris Copy Share Image
Of course, art in and of itself gives me some feeling of elation or power and is in some way curative. But actually what's… — Sarah Morris Copy Share Image
That's what I mean by this sense of erasure. You're inside some event or spectacle and you know you're complicit in it, but there… — Sarah Morris Copy Share Image
With the films, it starts off with certain coordinates in the world and seeing what happens. What happens if you place yourself at an… — Sarah Morris Copy Share Image
I think that people tend to look at the paintings as being resolved or finite. But, to me, a painting can be an index… — Sarah Morris Copy Share Image
I had a big fight about how to make something come into the real, to make it physical. It sounds really antique, but it's… — Sarah Morris Copy Share Image
You can't create a work without being aware that it will change dependent upon the context or the society where it is developed or… — Sarah Morris Copy Share Image
Moving swiftly between different arenas like politics, architecture or commercial design is what I would consider defintive of my generation. I am looking at… — Sarah Morris Copy Share Image
