The most profound indication of social malignancy ... no sense of humor. None of the monoliths could take a joke. — Edward Albee Copy Share Image
The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in… — Edward Albee Copy Share Image
In the thirties a whole school of criticism bogged down intellectually in those agitprop, social-realistic days. A play had to be progressive.… — Edward Albee Copy Share Image
School curricula that ignore the arts produce highly educated Barbarians — Edward Albee Copy Share Image
When a critic sets himself up as an arbiter of morality, a judge of the matter and not the manner of a work, he… — Edward Albee Copy Share Image
When people don't like the way a play ends, they're likely to blame the play. — Edward Albee Copy Share Image
In a democracy you cannot stop public access to that art that will most misinform the people. You cannot stop people from being misinformed.… — Edward Albee Copy Share Image
When people can't abide things as they are, when they can't abide the present, they do one of two things ... either they ...… — Edward Albee Copy Share Image
I know playwrights who like to kid themselves into saying that their characters are so well formed that they just take over. They determine… — Edward Albee Copy Share Image
The greatest problem with Irish Wolfhounds, though, is that they don't live very long: their great hearts give out. A good deal of this… — Edward Albee Copy Share Image
Writing has got to be an act of discovery....I write to find out what I'm thinking about. — Edward Albee Copy Share Image
