“You reach a point where you’re at the bottom of hell, yet you have your arms crossed and a smile on your face, and you feel you’re the luckiest person on earth.” — Sarah Lewis Copy Share Image
“We permit a new future to enter the room with these startling encounters. A young boy from Austin, Texas, Charles Black Jr., stood and knew it when he was just sixteen years old, thinking he was going to a coed social at the Driskill Hotel in his hometown in 1931. It was a dance, the first in a session of… — Sarah Lewis Copy Share
Success is a label that the world confers on you, but mastery is an ever-onward 'almost.' — Sarah Lewis Copy Share Image
“Sociobiologist Edward O. Wilson later said that there should be a “consilience” between art and science. 79 Former NASA astronaut Mae Jemison took selected images with her on her first trip to space, including a poster of dancer and former artistic director of the Alvin Ailey American Dance Theater Judith Jamison performing the dance Cry, and a Bundu statue from… — Sarah Lewis Copy Share
Shoes are money well spent and a good metaphor for life: everything else in life may be awful but a shoe will cheer me… — Sarah Lewis Copy Share Image
Mastery is in constantly wanting to close the gap between where you are and where you want to be. — Sarah Lewis Copy Share Image
A near win shifts our view of the landscape. It can turn future goals, which we tend to envision at a distance, into more proximate events. We consider temporal distance as we do spatial distance. (Visualize a great day tomorrow and we see it with granular, practical clarity. But picture what a great day in the future might be like,… — Sarah Lewis Copy Share
“In one of our conversations, she told me about Finland’s development of sisu, a rough cognate for grit. Etymologically, sisu denotes a person’s viscera, their “intestines (sisucunda).” It is defined as “having guts,” intentional, stoic, constant bravery in the face of adversity. 21 For Finns, sisu is a part of national culture, forged through their history of war with Russia… — Sarah Lewis Copy Share
“A rise often falls into the blind spot of vision, and so we tell the stories that I have in this book because we are hardwired not to be able to glimpse them. Like a type II error in statistics, a “false negative,” when we have the evidence but can’t see that an alternative hypothesis is correct, these rises are… — Sarah Lewis Copy Share
“There is no word to describe exactly what the High Line is to the non-architects among us, nor the collective reframing process required to see beyond its dingy path. 24 The promenade’s landscaping and minimal architectural interference is meant to find a balance between “melancholia and exuberance,” Diller told me. “Whatever that intermediate thing is, it’s ineffable and is kind… — Sarah Lewis Copy Share
Pain is not a punishment. And pleasure is not a reward. You could argue that failure is not punishment and Success is not reward.… — Sarah Lewis Copy Share Image
“How many movements began when an aesthetic encounter indelibly changed our past perceptions of the world? It was an abolitionist’s print, not logical argument,… — Sarah Lewis Copy Share Image
