“ When a slave rebels, it is nothing much to the people who read about it later. Just thin words on thinner paper worn finer by the friction of history. ("So you were slaves, so what?" they whisper. like it… — N. K. Jemisin Copy Share Image
In the 'Dreamblood' books, I'm focusing more on what I like about epic fantasy: the layering and depth of tension; the chance to really… — N. K. Jemisin Copy Share Image
Actual Victorian mores and politics were a reaction to a specific series of historical events, technological and scientific developments, and ethical trends in which… — N. K. Jemisin Copy Share Image
I don't really understand why so many fantasy writers choose to focus on worlds that just seem strangely denuded. But to them, I guess… — N. K. Jemisin Copy Share Image
To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don't bother me as much. Maybe that's just… — N. K. Jemisin Copy Share Image
I would love to just write and not have everything I say or do turn into a political battle. — N. K. Jemisin Copy Share Image
As a black woman, I have no particular interest in maintaining the status quo. Why would I? The status quo is harmful; the status… — N. K. Jemisin Copy Share Image
I've been very happy with Orbit and am thrilled that they're giving me more chances to explore my creative visions. — N. K. Jemisin Copy Share Image
It's the way the human brain works: when enough events occur in a pattern, we stop thinking and go into macro mode. — N. K. Jemisin Copy Share Image
A fantasy novel set in something other than medieval Europe, featuring an almost entirely black cast, is considered risky. — N. K. Jemisin Copy Share Image
I think the people who believe that works can and always should be divorced from the context are people who have the privilege to… — N. K. Jemisin Copy Share Image
It's human nature that we come in our own flavours, and it doesn't make any sense to write a monochromatic or monocultural story unless… — N. K. Jemisin Copy Share Image
