It [9/11 tragedy] was the spectacle, what al-Qaeda gets its main power from - why their terrorism truly earns the word "acts." They are very theatrical, always - the simultaneous violence, the grandiose, symbolic gestures (the number 911, "United" and… — Porochista Khakpour Copy Share Image
Addiction is a very compelling subject for literature - especially now that it's nearly impossible to come out of adult experience without some addiction… — Porochista Khakpour Copy Share Image
In South Pasadena, artists were around but invisible somehow. Even though it was just a fifteen-minute drive from Downtown LA, it felt worlds apart.… — Porochista Khakpour Copy Share Image
I both loved and hated South Pasadena. On the one hand, it was so diverse - all my closest friends were immigrants or had… — Porochista Khakpour Copy Share Image
There is less gray area there, less doubt. There is a security in being some thing all the way. Our culture, too, encourages this… — Porochista Khakpour Copy Share Image
The original Zal story by Ferdowsi gives a very moving account of an infant who had all odds against him - he was left… — Porochista Khakpour Copy Share Image
I write very raw, ugly, illiterate first drafts very quickly (novels are always in first draft in under a year) and then I spend… — Porochista Khakpour Copy Share Image
It [9/11 tragedy] has affected us on so many levels: economically, morally, spiritually, ethically. It's been all over the place. A new American identity… — Porochista Khakpour Copy Share Image
The radical is simply being given more room in the mainstream. And I think young people - I'm talking about the very young millennials… — Porochista Khakpour Copy Share Image
My characters' addictions are what makes them a bit stylized or "grotesque" - not just in appearance but through what drives them. Addiction is… — Porochista Khakpour Copy Share Image
I wanted to literalize the surreal here. Those are my favorite kinds of stories. I love when Gabriel García Márquez does that, for instance… — Porochista Khakpour Copy Share Image
I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted… — Porochista Khakpour Copy Share Image
9/11 was just an enormous event in so many senses of the word - I mean, we are still in the "post-9/11 era" and… — Porochista Khakpour Copy Share Image
The Illusionist is the storyteller in so many ways. Symbols become his obsession. It's not simply about creating plot - one must also grapple… — Porochista Khakpour Copy Share Image
Being unique seems more desirable than ever. People are exhausted by clichés, by platitudes, by mass-produced realities, by what's been done and done and… — Porochista Khakpour Copy Share Image
I guess none of the sides of my hyphen are particularly subtle cultures. But perhaps there is also a sense that these characters are… — Porochista Khakpour Copy Share Image
![“It [9/11 tragedy] was the spectacle, what al-Qaeda gets its main power from - why their terrorism truly earns the word "acts." They are very theatrical, always - the simultaneous violence, the grandiose, symbolic gestures (the number 911, "United" and "American" flights, the World Trade as target…” quote by Porochista Khakpour](https://sms4smile.com/quotes/img-quotes/bf5/porochista-khakpour-20047_aftermath_it-9-11-tragedy-was-the-spectacle-what-a_2907617.jpg)
![“It [9/11 tragedy] has affected us on so many levels: economically, morally, spiritually, ethically. It's been all over the place. A new American identity emerged - we now live in a very different America. This is the power of the definitive event.” quote by Porochista Khakpour](https://sms4smile.com/quotes/img-quotes/3b7/porochista-khakpour-20047_affected_it-9-11-tragedy-has-affected-us-on-so-ma_821622.jpg)
