Addiction is a very compelling subject for literature - especially now that it's nearly impossible to come out of adult experience without… — Porochista Khakpour Copy Share Image
I write very raw, ugly, illiterate first drafts very quickly (novels are always in first draft in under a year) and then… — Porochista Khakpour Copy Share Image
I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book… — Porochista Khakpour Copy Share Image
I guess none of the sides of my hyphen are particularly subtle cultures. But perhaps there is also a sense that these… — Porochista Khakpour Copy Share Image
I always read the Latin American writers. I love so many of them: Gabriel García Márquez, José Donoso, Alejo Carpentier, Jorge Luis… — Porochista Khakpour Copy Share Image
Maybe in writing about and through trauma it was therapeutic in a way, but it didn't feel like it at the time.… — Porochista Khakpour Copy Share Image
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It… — Porochista Khakpour Copy Share Image
I just see in pop culture, music, visual art, books, etc., a real hunger for the new and different, and I think… — Porochista Khakpour Copy Share Image
But literature, I discovered, can also save you. Truly. Over the cliché and through the truth, it can save. — Porochista Khakpour Copy Share Image
Addiction is a very compelling subject for literature - especially now that it's nearly impossible to come out of adult experience without some addiction… — Porochista Khakpour Copy Share Image
In South Pasadena, artists were around but invisible somehow. Even though it was just a fifteen-minute drive from Downtown LA, it felt worlds apart.… — Porochista Khakpour Copy Share Image
I both loved and hated South Pasadena. On the one hand, it was so diverse - all my closest friends were immigrants or had… — Porochista Khakpour Copy Share Image
There is less gray area there, less doubt. There is a security in being some thing all the way. Our culture, too, encourages this… — Porochista Khakpour Copy Share Image
The original Zal story by Ferdowsi gives a very moving account of an infant who had all odds against him - he was left… — Porochista Khakpour Copy Share Image
I write very raw, ugly, illiterate first drafts very quickly (novels are always in first draft in under a year) and then I spend… — Porochista Khakpour Copy Share Image
It [9/11 tragedy] has affected us on so many levels: economically, morally, spiritually, ethically. It's been all over the place. A new American identity… — Porochista Khakpour Copy Share Image
The radical is simply being given more room in the mainstream. And I think young people - I'm talking about the very young millennials… — Porochista Khakpour Copy Share Image
My characters' addictions are what makes them a bit stylized or "grotesque" - not just in appearance but through what drives them. Addiction is… — Porochista Khakpour Copy Share Image
I wanted to literalize the surreal here. Those are my favorite kinds of stories. I love when Gabriel García Márquez does that, for instance… — Porochista Khakpour Copy Share Image
I love outsider stories. And I also like a lot of genre fiction, too. So I wanted to write a literary book that flirted… — Porochista Khakpour Copy Share Image
9/11 was just an enormous event in so many senses of the word - I mean, we are still in the "post-9/11 era" and… — Porochista Khakpour Copy Share Image
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