Simulations directly relate to the process of and complications in photography. They also overtly create layers of fantasies, myths and interventions... The… — Taryn Simon Copy Share Image
I want to see everything. I guess the positive version of not seeing or not knowing would be preservation of fantasy. — Taryn Simon Copy Share Image
You come to the photograph as an aesthetic object with no context... Then you step in and read the text and then out again… — Taryn Simon Copy Share Image
Photography's ability to blur truth and fiction is one of its most compelling qualities. But when misused... this ambiguity can have severe, even lethal… — Taryn Simon Copy Share Image
Documentary photography is becoming more illustrative as people become more familiar with photography’s limitations and vulnerabilities. Reality has always been interpreted through layers of… — Taryn Simon Copy Share Image
Archives exist because there's something that can't necessarily be articulated. Something is said in the gaps between all the information. — Taryn Simon Copy Share Image
I'm interested in the murky areas where there are no clear answers - or sometimes multiple answers. It's here that I try to imagine… — Taryn Simon Copy Share Image
I'm designing a seductive frame to attract an audience to a subject they would otherwise ignore. And that's what I do in all of… — Taryn Simon Copy Share Image
There is no truth in photography. One can't reproduce an absolute truth. That said, I don't see [my photographs] as being any less truthful… — Taryn Simon Copy Share Image
In my work, I construct texts and images. Between those two points the blur occurs. Each is altered by the other again and again,… — Taryn Simon Copy Share Image
