First of all, in the old days, if you wanted to show someone getting shot on film, all you could do was place an effect in the original take. And if you wanted to brighten somebody's face and leave the… — George A. Romero Copy Share Image
I love a couple of Fulci things. I just had a gas watching them. It's not what I would do, but I loved watching… — George A. Romero Copy Share Image
People say you're trapped in this genre. You're a horror guy. I say wait a minute - I'm able to say exactly what I… — George A. Romero Copy Share Image
I've seen so many young filmmakers - even professional filmmakers who get a Hollywood deal - they don't quite know where to begin, where… — George A. Romero Copy Share Image
I'm a Turner Classic Movies guy. That's it. I'd much rather sit here and watch an oldie than anything new. — George A. Romero Copy Share Image
I saw 'Dracula,' 'Frankenstein,' 'The Wolf Man,' 'The Invisible Man.' I saw all those guys on the big screen at RKO in the Bronx.… — George A. Romero Copy Share Image
I'm telling you, man, after I did 'Land of the Dead,' which Mark Canton produced, Universal picked it up, and I had to use… — George A. Romero Copy Share Image
I think you're only free if you're working on very low or huge money. — George A. Romero Copy Share Image
'Night of the Living Dead,' then 'Dawn of the Dead' is a few weeks later, 'Day of the Dead' months later, and 'Land of… — George A. Romero Copy Share Image
I've always felt that the real horror is next door to us, that the scariest monsters are our neighbors. — George A. Romero Copy Share Image
It would be very hard to write a serious drama and say some of these things. You can be much more abstract and allusive… — George A. Romero Copy Share Image
When you are working with low budgets and you have a gunshot with a squib and it goes wrong - the gun flash does… — George A. Romero Copy Share Image
I don't think you need to spend $40 million to be creepy. The best horror films are the ones that are much less endowed. — George A. Romero Copy Share Image
