Working on science fiction, horror, and adventure series is fun because the music is needed to help build the world that the action takes place in. The score tells us something about the place, the setting, the backstory, the characters.… — Bear McCreary Copy Share Image
I think the thing that music can do is be unsettling. It is abnormal - music that's perceived to be different in an unresolved… — Bear McCreary Copy Share Image
There are certain things I've always wanted to hear vido game scores do. — Bear McCreary Copy Share Image
I grew up watching sci-fi and horror and dramas and playing video games. These are all things I enjoy doing. — Bear McCreary Copy Share Image
There was a time after doing 'Battlestar Galactica,' where I had my pick of projects that wanted taiko drums and ethnic vocals. You know,… — Bear McCreary Copy Share Image
The showrunner relationship in television is what the director relationship in film, there's really no more important relationship. — Bear McCreary Copy Share Image
I mean, I think everybody has fond memories of 'Masters of the Universe.' It was just one of the things in the '80s. But… — Bear McCreary Copy Share Image
When you hit a string or a piece of metal or anything that vibrates, you hear the fundamental pitch that the thing is vibrating… — Bear McCreary Copy Share Image
Galadriel is driven by a sense of justice, if not a sense of revenge. — Bear McCreary Copy Share Image
The great thing about scoring sci-fi shows is that you basically get to make up the rules, because you're creating a self-contained universe; when… — Bear McCreary Copy Share Image
It's hard to take a series of intervals that we all recognize, and arrange them in a way that is not so simplistic, to… — Bear McCreary Copy Share Image
I approach everything from the same perspective which is character and story, which then influence the musical style. — Bear McCreary Copy Share Image
