The reflection of the flame in the glass seems to be touching the hand. And you feel the helpless fear of these dismembered parts. This sort of thing can hardly be visualized at the script stage. — Terence Fisher Copy Share Image
Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality… — Terence Fisher Copy Share Image
There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have… — Terence Fisher Copy Share Image
We're not as materialistic and income-tax conscious as we think. At the moment our superstitions are tucked away, but come out sometimes in strange… — Terence Fisher Copy Share Image
Dracula did bring a hell of a lot of joy to a hell of a lot of women. — Terence Fisher Copy Share Image
He 's ruthless only because of his ideals. Unfortunately he doesn't succeed. The thing fails and gets out of hand and takes charge of… — Terence Fisher Copy Share Image
The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go… — Terence Fisher Copy Share Image
The reflection of the flame in the glass seems to be touching the hand. And you feel the helpless fear of these dismembered parts.… — Terence Fisher Copy Share Image
The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you… — Terence Fisher Copy Share Image
One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or… — Terence Fisher Copy Share Image
Do I believe in the supernatural? Oh yes, certainly. I can't believe, I can't accept that you die and that's the end. Physically maybe… — Terence Fisher Copy Share Image
