One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or something similar) and your whole effect is lost. — Terence Fisher Copy Share Image
Certainly Dracula did bring a hell of a lot of joy to a hell of a lot of women. And if this erotic quality… — Terence Fisher Copy Share Image
There is the danger of over preparation, of loss of spontaneity; over rehearsal is the most terrible thing you can imagine. We do have… — Terence Fisher Copy Share Image
We're not as materialistic and income-tax conscious as we think. At the moment our superstitions are tucked away, but come out sometimes in strange… — Terence Fisher Copy Share Image
Dracula did bring a hell of a lot of joy to a hell of a lot of women. — Terence Fisher Copy Share Image
He 's ruthless only because of his ideals. Unfortunately he doesn't succeed. The thing fails and gets out of hand and takes charge of… — Terence Fisher Copy Share Image
The process is very gradual, you see. At first there's the tainted stage; they know what will eventually happen to them if they go… — Terence Fisher Copy Share Image
The reflection of the flame in the glass seems to be touching the hand. And you feel the helpless fear of these dismembered parts.… — Terence Fisher Copy Share Image
The written word is the basic of everything. Most important, the idea, and after that, the dialogue. You can rehash the dialogue as you… — Terence Fisher Copy Share Image
One blob of red in the wrong place and the audience isn't looking at the hero, they're looking at a patch of curtain (or… — Terence Fisher Copy Share Image
Do I believe in the supernatural? Oh yes, certainly. I can't believe, I can't accept that you die and that's the end. Physically maybe… — Terence Fisher Copy Share Image
